MMET 101-section 05: Social Issues

Fall 1999

Tuesdays 6:00-9:20 PM

 

Professor Patrick P. Chang

Meetings by appointment only

(201) 684-7682

pchang@ramapo.edu

 

Course Description

The purpose of this course is to provide a forum for the exploration of the issues affecting students in colleges and universities with a particular emphasis on issues of diversity and multiculturalism. The course is concerned with the issues of racism, sexism, classism and other forms of oppression that impact on and the communities we serve

 

 

Course Objectives

The objectives of this course include students:

 

 Requirements

 

Students seeking credit for this course must complete all assignments and expectations as outlined below:

 

 

ANNOTATED BIBLIOGRAPHIES

Each student will be assigned the responsibility to bring to the attention of the class articles from specific publications throughout the term by collecting current articles/information encompassing issues of race, class, gender and other "isms" related to higher education and highlighting functions and issues in student affairs in the form of Annotated Bibliography Cards where each student will read and review on a 4 x 6 card at least one journal article or chapter of a book (other than the required texts). The topic of the article should correspond with each week's class topic.

 

 VOICING DIFFERENCES: LEARNING MULTICULTURAL PERSPECTIVES

(special thanks to Dr. Carney Strange and Lorraine Alston for this model on "Bridging Cross-Cultural Differences:The Power of Border Pedagogy" at the ACPA/NASPA Conference March 21, 1997 in Chicago)

  

 

  • Select a "voice" different from your own
  • Develop expertise through multiple resources
    • literature
    • media (films, music, art)
    • internet resources
    • interviews
    • personal observations
  • Maintain a voice journal with regular entries
  • Let your voice be heard in the context of class discussions

 

  

  

  • Selecting Voice: motives and reasons for selecting voice are explored
  • Information Gathering: resources are explored for purposes of gaining simple understanding of characteristics and influences of selected voice
  • Engagement: personal engagement with voice produces growing affinity for gifts, challenges and barriers
  • Advocacy: participants acquire sense of empathy and responsibility to seek out and remove sources of bias and discrimination

 

  

 

 

The "Voice" Project Instructions:

 

  1. By the third class session, select a "voice" other than your own, for which you will assume responsibility as an advocate in letting it be heard as part of our class discussions this semester. For example, as an African American female you might wish to consider the perspective of a Caucasian male; as a heterosexual male, a gay male or lesbian female; or as a traditional age student, a returning adult learner.

     

  2. Develop your expertise in that voice by, for example:

    1. examining literature and reading materials relevant to that voice (e.g., Evans & Wall, 1991-Beyond Tolerance; Gays, Lesbians and Bisexuals on Campus
    2. accessing resources and personal contacts through various dedicated listservs and bulletin boards (e.g., EASI- Access to Information for People with Disabilities)
    3. observing the behavior and interacting in the context of individuals who are thought to live that voice (e.g., attending an Organization of African Unity, Organization for Latino Unity or International Student Organization meeting on campus); and
    4. interviewing people presumed to speak in that voice (e.g., an Asian American student, faculty, or staff member).

 

  1. Maintain a "voice journal" wherein you enter a one page reaction that summarizes your feelings to the week’s class. Each paper should include the date, an overall impression of the class, what stands out in your mind about that class, how you felt about the class, how comfortable you felt speaking openly and contributing to the class discussion, and the impact the class had on you. Did you learn anything you had not known or thought about before? Was your thinking changed on any way because of this class? Did you challenge yourself or anyone else in this class? If you could revisit that class what would you do or say differently? Your writings are not shared beyond the instructors unless you decide to share comments with peers or others

     

  2. Let your selected voice be heard regularly in the context of our class discussions.
  • Rather than just "reading about" cultural differences on a particular day in class, this approach is process-oriented and assumes that we will all be better served by individuals who understand differences, not as a state of being, but as a process, and who furthermore have developed an habitual instinct toward empathy for another. Being careful to listen to and understand others encourages more voices to be heard and affirmed, conditions that can only enhance the learning of all students.
  •  

    Media Review

    Students are expected to submit a critical review on a book, film, theatrical event or cultural event of their choice. This piece of media can be based on a novel (historical or fiction), a scholarly work, or a biography/autobiography. The theme should focus on the issues of the various "isms" studied in this class (i.e. racism, sexism, classism, heterosexism, xenophobia, issues of disability, homophobia). The report should not be more than seven typed, double-spaced pages and should include: an overview of the media with a statement of the salient themes; your response to it - what impact did it have on you in terms of your understanding of the issues involved; questions that it leaves unanswered or raises; and a conclusion. In the conclusion, please include whether or not you would recommend this media form and your reasons, or if you have reservations about this media form and your reasons.

     September 28: Media Review selection due

    November 23rd: Project due

     

     

    Textbooks and Readings

     Required:

    Anderson, M.L. & Collins, P.H., (1995). Race, Class, and Gender: an Anthology. 2nd Ed. California: Wadsworth Publishing.

     Bauby, J., ( 1998). The Diving Bell and the Butterfly. New York: Vintage.

     McBride, J., (1996). The Color of Water: a Black Man's Tribute to his White Mother. New York: Riverhead Books.

    McCourt, F., (1996). Angela's Ashes. New York: Scribner.

     Middlebrook, D.W. (1998). Suits Me: The Double Life of Billy Tipton. Boston: Houghton Mifflin Company.

      

    Recommended

    The following "textbooks" are recommended readings. Copies will be on reserve at the Library:

     Branch, T. (1989). Parting the Waters: America in the King Years, 1954-1963. New York: Touchstone Books.

     Branch T. (1999). Pillar of Fire: America in the King Years, 1963-1965. New York: Simon & Schuster.

     Evans, N.J. and Wall, V.A. (1976). Beyond Tolerance: Gays, Lesbians and Bisexuals on Campus. Maryland: American College Personnel Association.

     Lukas, J.A. (1997). Big Trouble. New York: Simon & Schuster.

     Sedlacek, W.E. and Brooks, G.C. (1978). Racism in American Education: A Model for Change. Chicago: Nelson-Hall

      

    Additional Readings and Handouts

    There will be additional readings and handouts. It is recommended that each student have access to the following publications:

     Black Issues in Higher Education

    Chronicle of Higher Education

    New York Times 

     

    COURSE OUTLINE

    September/ October 1999

    "Race and Class"

     
    DATE
    TOPIC
    TO READ FOR NEXT CLASS :

    September 7th

    • Introduction and Overview Of Course: Icebreakers and syllabus
    • Establishing a Foundation: Team Building #1: Who Are You?/Babe #1

    Andersen & Collins: Shifting the Center and Reconstructing Knowledge Overview pp.11-20

    September 14th

    Andersen & Collins: Conceptualizing Race, Class and Gender, pp.67-88 McBride: Ch 1-11

    September 21st

    McBride: Ch. 12-25

    * Media Proposals Due

    September 28th

    McBride: Epilogue Andersen & Collins: Race and Racism, pp.89-125*

    October 5th

    Andersen & Collins: Class and Inequality pp.126-174

    October 12th

    Andersen & Collins: Education pp. 328-356*

    McCourt: Chapters I-IV

    October 19th

    • Gender and Sex Roles
    • Class and Construct
    • The Full Monty

    Andersen & Collins: Sexuality pp.437-469*, Gender and Sexism pp. 175-216* Middlebrook: Part I & II

    October 26th

    • Let's Talk About Gender and Sex Roles as seen through Advertising
    • Let's Talk About Sex: "The Fly on the Wall"
    • Sex Roles and the Media: Madonna and "Paris Is Burning" (Pt. 1)
    • Submit October Journals

    Bauby: pp.3-133

    McCourt: Chapters V-XII

    November 2nd

    Disabilities:

    • Defining Disability
    • "My Left Foot" (Pt.1)
    • Guest speaker: Christine Komoroski

    McCourt: Chapters XIII-XVIII

    Middlebrook: Part III & IV

    Andersen & Collins: Families pp. 270-327*

    November 9th

    The Impact of Family:

    • Sex Roles and the Media: Madonna and "Paris Is Burning" (Pt. 2)
    • "My Left Foot" (Pt.2)
    • A Moment of Silence

    Middlebrook: Part V

    Andersen & Collins: Work and Economic Transformation pp.217-269*

    November 16th

    • Putting It All Together #1: "The Color of Fear"
    • Submit Final Annotated Bibliography cards on Disability Definitions

    Andersen & Collins: American Identity and Culture pp. 389-436*

    November 23rd

    • Putting It All Together #2: Ba-fa, Ba-fa
    • Culture and the Nacerima
    • Submit Media Research Papers
    • Optional submission of annotated bibliography cards

    Andersen & Collins: The State and Social Policy pp. 357-388*, Violence and Social Control pp. 470-506*

    November 30th

    • Putting It All Together #3: The Impact of Family and "The Wedding Banquet"
    • Personal Values: "Miracle Mile" and "The Fallout Shelter"
    • Submit Family Trees
    • Submit November journals
    • Submit Personal Coat of Arms
    • Optional submission of annotated bibliography cards

    Andersen & Collins: Education pp.328-356*, Making a Difference pp. 507-562*

    December 7th

    • Putting It All Together: The Trial
    • What Difference Can I Make?
    • Closing Exercise

     

     

    RETURN TO COURSES TAUGHT AT RAMAPO BY PAT CHANG